The roots of my projects lie in my travelling experiences. As a foreigner everything is new, and as an artist surprise and awe become the perfect vehicle to register an unknown landscape. The travels have given me instruments to create a personal journey that record a process, resulting in the materialization of final pieces. Analogously, the selection of the media is fundamental. In my career, I have been working with old techniques of photography. These techniques provide a precise and meticulous process that nurture both the observation and reflection of the landscape.
I have found myself working in Patagonia with Darwin's diaries, travelling the same landscape and finishing a trip that he and his crew intended to complete and could not. The Canadian landscape received me in Banff. I worked with the monotonous landscape and its natural implications. In Ireland, I found myself creating pieces in the land that my grandfather, who unfortunately, I never knew, walked once.
Most of my work considers the fact of being a foreigner in the world as a leitmotif. I look into setting a different project for each country.